Paperback, 384 Pages: Revolution in 35mm: Political Violence and Resistance in Cinema from the Arthouse to the Grindhouse, 1960–1990 explores how global filmmakers represented radical politics and social unrest from 1960 to 1990. Spanning postcolonial revolutions, the rise of protest movements, and the decline of Soviet communism, the book examines how cinema reflected uprisings by students, feminists, Black Power groups, and armed militants like the Red Army Faction and the Weather Underground. Featuring essays by twelve critics and scholars, it analyzes arthouse and exploitation cinema alike, including spaghetti westerns, Blaxploitation, mondo films, and New Wave cinema from France, Japan, Germany, and Yugoslavia. With over 200 illustrations, it explores how these films were made, censored, distributed, and received—and how they embodied or challenged the ideologies of their time. It uncovers hidden gems and politically charged cinema that still resonates today.